PK AS 15D

Known as:	PK AS 15D; Pelliot Koutchéen Ancienne Série 15D
Cite this page as:	Georges-Jean Pinault; Melanie Malzahn (collaborator). "PK AS 15D". In A Comprehensive Edition of Tocharian Manuscripts (CEToM). Created and maintained by Melanie Malzahn, Martin Braun, Hannes A. Fellner, and Bernhard Koller. https://cetom.univie.ac.at/?m-pkas15d (accessed 10 Oct. 2024).
Edition
Editor:	Georges-Jean Pinault; Melanie Malzahn (collaborator)
Provenience
Main find spot:	Duldur-akur
Collection:	Bibliothèque nationale de France, fonds Pelliot Koutchéen (Paris)
Language and Script
Language:	TB
Linguistic stage:	classical
Script:	classical
Text contents
Title of the work:	Departure of the Bodhisattva
Text genre:	Literary
Text subgenre:	Jātaka/Avadāna
Verse/Prose:	prose; verse
Object
Manuscript:	PK AS 15
Material:	ink on paper
Form:	Poṭhī
Size (h × w):	11.5 × 14.7 cm
Number of lines:	7
Interline spacing:	1.7 cm

Transliteration

a1	/// – (–) ñya [t]s[e] : [ṣ]· [m]i ke [ke] [su] [b](·)a mñ(·) [k]t(·) – (–)
a2	/// (·)ym(·) meṃ [ts]a ksa te • tū no kuce yä kne [s]a \|\| de va da tte n[ts]a : \|\|
a3	/// [meṃ] stā na ka rkn[ā] ma ne pyā śyeṃ e ṣe wa r[k]s̝a [l]ts· tai ma ske lye
a4	/// – lni [yn]ā te keṃ śai ṣṣe • \|\| tu meṃ au ntsa n[t]e o [mp](·)
a5	/// ·[ā] ko¯ ¯yn[ä] ka kā ya¯ ¯s̝ o ṅko [lm]a ñña na śu ṇḍa [n]ma sa [yau]
a6	/// ṣṣe ka s̝pa ne we k(·) yau ṣī ta¯ ¯r tai sa ra [n]o¯ ¯s̝ [t]ma ne nma
a7	/// tsi me¯ ¯k^• pyo yeṃ [•] o [r]o cci k[u] mbhā ṇḍi tai wi wa – –
b1	/// na nts· sū [w](·) t(·) ī te kl(·) tka • ce¯ ¯u [r](·) n[o] (·)s(·) w[ä] nt(·) (–)
b2	/// tne lo lmau tā ko¯ ¯yä mā ke¯ ¯śä wā yo¯ ¯yä pā ya lyñe
b3	/// ntsa su lu kṣi śtwā ra ka lymiṃ [po] : pa rlyā¯ ¯ṅk śe śśa nm[u] sa
b4	/// śe ñaṃ s[u] mā kca s̝aṃ ṣā te tse r[ī] te ke¯ ¯ts wi yä ly[ñ]e ra¯ ¯m[t]^•
b5	/// – ne o no lmi kre¯ ¯nt pa lsko sa ñi¯ ¯śä e tsu wai ke ka
b6	/// (·)e [ṣa]¯ ¯ñä pa lsko ke ktse nne pru tka s̝s̝aṃ • tu meṃ bo dhi (–) t[ve]
b7	/// \|\| bra h[m]a lo kne eṃ ṣke kau¯ ¯cä a [p]i śnrai ne [e] t(·)e ///

a1	/// – – ñyatse : ṣ(e)mi kekesu b(r)am-ñ(ä)kt(e) – –
a2	n1 /// ·ym·meṃ tsaksate • tū no k_uce-yäknesa ॥ devadattentsa : ॥
a3	/// meṃ stāna kärknāmane pyāśyeṃ eṣe warkṣälts(a) tai mäskelye
a4	/// – lni ynāte keṃ śaiṣṣe • ॥ tumeṃ auntsante omp·
a5	n2 /// ·ā koyn kakāyaṣ oṅkolmaññana śuṇḍanma sa yau
a6	/// ṣṣe ka ṣpä newe k(l)yauṣītär taisa rano ṣ tmanenma
a7	/// tsi mek pyoyeṃ • orocci kumbhāṇḍi tai wi wa – –
b1	n3 /// nants· sū w(a)t(e) īte kl(au)tka • ce_u r(a)no ·s· wänt· –
b2	/// tne lo lmau tākoy mā keś wāyoy pāyalyñe
b3	/// ntsa su lukṣi śtwāra kälymiṃ po : parlyāṅk śeśśanmu sa
b4	n4 /// śeñaṃ su mā kca ṣäṃṣāte tserītekets wiyälyñe ramt
b5	/// – ne onolmi krent palskosa ñiś etsuwai keka
b6	/// ·e ṣañ palsko kektsenne prutkäṣṣäṃ • tumeṃ bodhi(sa)tve
b7	/// ॥ brahmalokne eṃṣke kauc apiś nraine et(t)e ///

b2	he must be sitting far off and must not pay any attention to the singing.

*	Right part of a leaf with remains of the margin in lines a6 and b2.

n1	ymaiṃmeṃ 'from the path'?
n2	/// ·[ā] could also be /// ·[o] or /// ·[ī]
n3	ceu hat double marking!
n4	Cf. THT 324 a 3: /// tseriteke menākäccepi ///