CEToM | IOL Toch 197
Known as: | IOL Toch 197; H add.149.66 |
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Cite this page as: | Michaël Peyrot. "IOL Toch 197". In A Comprehensive Edition of Tocharian Manuscripts (CEToM). Created and maintained by Melanie Malzahn, Martin Braun, Hannes A. Fellner, and Bernhard Koller. https://cetom.univie.ac.at/?m-ioltoch197&outputformat=print (accessed 07 Oct. 2024). |
Edition | |
Editor: | Michaël Peyrot |
Provenience | |
Main find spot: | Unknown |
Collection: | British Library (London) |
Language and Script | |
Language: | TB |
Linguistic stage: | classical |
Script: | classical |
Text contents | |
Text genre: | Literary |
Object | |
Material: | ink on paper |
Form: | Poṭhī |
Number of lines: | 5 |
Images from idp.bl.uk
by courtesy of the International Dunhuang Project and the British Library.
a1 | /// sk· mtra śā l· /// |
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a2 | /// 30 3 spe lkke /// |
a3 | /// [n]· 30 4 a /// |
a4 | /// ·sū śkaṃ 30 5 o /// |
a5 | /// 6 ṣe wau na mā ma /// |
b1 | /// ṣa ñe· [s]n· kwri pa /// |
b2 | /// sa rmī sa : to tka /// |
b3 | /// ntse pe rne sa /// |
b4 | /// kti ke wro tstsai /// |
b5 | /// te neṃ : ca rka /// |
a1 | /// °sk(e)mträ śāl· /// |
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a2 | /// 30-3 spelkke /// |
a3 | /// n· 30-4 a° /// |
a4 | /// (sä)sūśkaṃ 30-5 o° /// |
a5 | /// (30-)6 ṣewauna mā mä° /// |
b1 | /// ṣañ e(r)sn(a) kwri pa° /// |
b2 | /// sarmīsa : totka /// |
b3 | /// °ntse pernesa /// |
b4 | /// °ktike wrotstsai /// |
b5 | /// °teneṃ : carka /// |
At the beginning of line a5, the lower left part of the 6 has been moved slightly. |
Peyrot 2007: №197
“The International Dunhuang Project: The Silk Road Online.” n.d. http://idp.bl.uk.
Peyrot, Michaël. 2007. “An edition of the Tocharian fragments IOL Toch 1 – IOL Toch 822 in the India Office Library.” International Dunhuang Project. 2007. http://idp.bl.uk/database/oo_cat.a4d?shortref=Peyrot_2007.
https://cetom.univie.ac.at/?m-ioltoch197&outputformat=print
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Medieninhaber: Universität Wien, Institut für Sprachwissenschaft | Inhalt: Melanie Malzahn | Programmierung: Martin Braun | Datenkonvertierung: Bernhard Koller | Design: Patricia Katharina Hoda
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