Images from idp.bl.uk by courtesy of the International Dunhuang Project and the British Library.
CEToM | IOL Toch 700
| Known as: | IOL Toch 700; Tb 001 |
|---|---|
| Cite this page as: | Michaël Peyrot. "IOL Toch 700". In A Comprehensive Edition of Tocharian Manuscripts (CEToM). Created and maintained by Melanie Malzahn, Martin Braun, Hannes A. Fellner, and Bernhard Koller. https://cetom.univie.ac.at/?m-ioltoch700&outputformat=print (accessed 06 Oct. 2024). |
Edition | |
| Editor: | Michaël Peyrot |
Provenience | |
| Main find spot: | Unknown |
| Collection: | British Library (London) |
Language and Script | |
| Language: | TB |
| Linguistic stage: | classical |
| Script: | classical |
Text contents | |
| Title of the work: | Candraprabhe is mentioned |
| Text genre: | Literary |
| Text subgenre: | Jātaka/Avadāna |
Object | |
| Material: | ink on paper |
| Form: | Poṭhī |
| Number of lines: | 2 |
Images from idp.bl.uk by courtesy of the International Dunhuang Project and the British Library.
| a1 | rka stra ṣa¯ ¯ñä e rsna /// |
|---|---|
| a2 | nt· pkā rsa • || tu sā /// |
| b1 | brā hma ṇeṃ¯ ¯ts no /// |
| b2 | k·e ca ndra pra bhe – /// |
| (ṣa)- | |
| a1 | -rkästrä ṣañ ersna /// |
| a2 | nt· pkārsa • ॥ tu sā /// |
| b1 | brāhmaṇeṃts no /// |
| b2 | k·e candraprabhe – /// |
| a1 | ... surpasses [his] own beauty ... |
|---|---|
| a2 | ... know [this]! || This ... |
| b1 | ... to the brahmins ... |
| b2 | ... Candraprabha ... |
| The left edge might also be the Schnurloch space. |
| Subgenre uncertain. |
Peyrot 2007: №700
“The International Dunhuang Project: The Silk Road Online.” n.d. http://idp.bl.uk.
Peyrot, Michaël. 2007. “An edition of the Tocharian fragments IOL Toch 1 – IOL Toch 822 in the India Office Library.” International Dunhuang Project. 2007. http://idp.bl.uk/database/oo_cat.a4d?shortref=Peyrot_2007.
https://cetom.univie.ac.at/?m-ioltoch700&outputformat=print
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Medieninhaber: Universität Wien, Institut für Sprachwissenschaft | Inhalt: Melanie Malzahn | Programmierung: Martin Braun | Datenkonvertierung: Bernhard Koller | Design: Patricia Katharina Hoda
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