CEToM | IOL Toch 704
Known as: | IOL Toch 704; Tb 005 |
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Cite this page as: | Michaël Peyrot. "IOL Toch 704". In A Comprehensive Edition of Tocharian Manuscripts (CEToM). Created and maintained by Melanie Malzahn, Martin Braun, Hannes A. Fellner, and Bernhard Koller. https://cetom.univie.ac.at/?m-ioltoch704&outputformat=print (accessed 13 Oct. 2024). |
Edition | |
Editor: | Michaël Peyrot |
Provenience | |
Main find spot: | Unknown |
Collection: | British Library (London) |
Language and Script | |
Language: | TB |
Linguistic stage: | classical |
Script: | classical |
Text contents | |
Title of the work: | Vinayavibhaṅga |
Passage: | not identified |
Text genre: | Literary |
Text subgenre: | Vinaya |
Verse/Prose: | prose |
Object | |
Material: | ink on paper |
Form: | Poṭhī |
Size (h × w): | 3.6 × 7.6 cm |
Number of lines: | 2 |
Images from idp.bl.uk
by courtesy of the International Dunhuang Project and the British Library.
a1 | /// – – [p]· ñä kte [ś]r· /// |
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a2 | /// – – tu pra se na ji – /// |
b1 | /// ·[k]· m· ne nā ksa te me – /// |
b2 | /// [k]e ·e nts· ṣa llā ne /// |
b3 | /// [||] /// |
a1 | /// – – p(a)ñäkte śr· /// |
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a2 | /// – – tu prasenaji(t) /// |
b1 | /// (-s)k(e)m(a)ne nāksate-me – /// |
b2 | /// ke ·e nts· ṣallā-ne /// |
b3 | /// ॥ /// |
The lower margin of the recto (upper of the verso) is preserved. |
Peyrot 2007: №704; Ogihara 2009: 126
Peyrot 2007: №704; Peyrot 2007: №704; Ogihara 2009: 126, 413
“The International Dunhuang Project: The Silk Road Online.” n.d. http://idp.bl.uk.
Ogihara, Hirotoshi. 2009. “Researches about Vinaya-texts in Tocharian A and B [Recherches sur le Vinaya en tokharien A et B].” PhD, Paris: École Pratique des Hautes Études.
Peyrot, Michaël. 2007. “An edition of the Tocharian fragments IOL Toch 1 – IOL Toch 822 in the India Office Library.” International Dunhuang Project. 2007. http://idp.bl.uk/database/oo_cat.a4d?shortref=Peyrot_2007.
https://cetom.univie.ac.at/?m-ioltoch704&outputformat=print
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Medieninhaber: Universität Wien, Institut für Sprachwissenschaft | Inhalt: Melanie Malzahn | Programmierung: Martin Braun | Datenkonvertierung: Bernhard Koller | Design: Patricia Katharina Hoda
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