Images from idp.bl.uk by courtesy of the International Dunhuang Project and the British Library.
CEToM | IOL Toch 386.a
| Known as: | IOL Toch 386.a; D 27 |
|---|---|
| Cite this page as: | Michaël Peyrot. "IOL Toch 386.a". In A Comprehensive Edition of Tocharian Manuscripts (CEToM). Created and maintained by Melanie Malzahn, Martin Braun, Hannes A. Fellner, and Bernhard Koller. https://cetom.univie.ac.at/?m-ioltoch386a&outputformat=print (accessed 11 Sep. 2024). |
Edition | |
| Editor: | Michaël Peyrot |
Provenience | |
| Main find spot: | Unknown |
| Collection: | British Library (London) |
Language and Script | |
| Language: | Skt.; TB |
| Linguistic stage: | classical |
| Script: | classical |
Text contents | |
| Text genre: | Literary |
Object | |
| Material: | ink on paper |
| Form: | Poṭhī |
| Number of lines: | 3 |
Images from idp.bl.uk by courtesy of the International Dunhuang Project and the British Library.
| a1 | tse mā ma ske ta[¯] [¯]r – ·s· [k]· /// |
|---|---|
| b1 | /// – – /// |
| b2 | /// ṣa [l]· pā rci da – (–) – (–) /// |
| b3 | /// : dha rpa ṣa – – (–) ka pa ri /// |
| b4 | /// – [m]ā (–) ·i – – ka ·i – – /// |
| a1 | …tse mā mäsketär – ·s· k· /// |
|---|---|
| b1 | /// – – /// |
| b2 | /// ṣa l· pā rci da – – – – /// |
| b3 | /// : dha rpa ṣa – – – ka pa ri /// |
| b4 | /// – mā – ·i – – ka ·i – – /// |
| The press mark includes two fragments, a and b (very small), of different colour and clearly not belonging together. The verso of fragment a is carelessly written and rather abraded. Therefore, readings are uncertain. |
Peyrot 2007: №386
“The International Dunhuang Project: The Silk Road Online.” n.d. http://idp.bl.uk.
Peyrot, Michaël. 2007. “An edition of the Tocharian fragments IOL Toch 1 – IOL Toch 822 in the India Office Library.” International Dunhuang Project. 2007. http://idp.bl.uk/database/oo_cat.a4d?shortref=Peyrot_2007.
https://cetom.univie.ac.at/?m-ioltoch386a&outputformat=print
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Medieninhaber: Universität Wien, Institut für Sprachwissenschaft | Inhalt: Melanie Malzahn | Programmierung: Martin Braun | Datenkonvertierung: Bernhard Koller | Design: Patricia Katharina Hoda
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