Images from idp.bl.uk by courtesy of the International Dunhuang Project and the British Library.
CEToM | IOL Toch 486
| Known as: | IOL Toch 486; D 127 |
|---|---|
| Cite this page as: | Michaël Peyrot. "IOL Toch 486". In A Comprehensive Edition of Tocharian Manuscripts (CEToM). Created and maintained by Melanie Malzahn, Martin Braun, Hannes A. Fellner, and Bernhard Koller. https://cetom.univie.ac.at/?m-ioltoch486&outputformat=print (accessed 13 Oct. 2024). |
Edition | |
| Editor: | Michaël Peyrot |
Provenience | |
| Main find spot: | Unknown |
| Collection: | British Library (London) |
Language and Script | |
| Language: | TB |
| Linguistic stage: | classical |
| Script: | classical |
Text contents | |
| Text genre: | Literary |
| Text subgenre: | Jātaka/Avadāna |
Object | |
| Material: | ink on paper |
| Form: | Poṭhī |
| Number of lines: | 3 |
Images from idp.bl.uk by courtesy of the International Dunhuang Project and the British Library.
| a1 | /// s· tv· pa ·m· (–) – /// |
|---|---|
| a2 | /// lko sa tā¯ ¯u klaiṃ l[k]ā /// |
| a3 | /// – /// |
| b1 | /// – /// |
| b2 | /// – nte śe ru wi lyśi /// |
| b3 | /// ka lña ce [n]aṃ¯ – po /// |
| a1 | /// s· tv· pa ·m· – – /// |
|---|---|
| a2 | /// (pi)lkosa tāu klaiṃ lkā° /// |
| a3 | /// – /// |
| b1 | /// – /// |
| b2 | /// – nte śeruwi lyśi /// |
| b3 | /// °kalña cenaṃ(ts) po /// |
| a1 | ... the Bodhisattva (?) ... |
|---|---|
| a2 | ... with (compassionate?) gaze he looks at that woman. |
| a3 | ... |
| b1 | ... |
| b2 | ... hunters [and] thieves ... |
| b3 | ... of them ... all ... |
Peyrot 2007: №486
“The International Dunhuang Project: The Silk Road Online.” n.d. http://idp.bl.uk.
Peyrot, Michaël. 2007. “An edition of the Tocharian fragments IOL Toch 1 – IOL Toch 822 in the India Office Library.” International Dunhuang Project. 2007. http://idp.bl.uk/database/oo_cat.a4d?shortref=Peyrot_2007.
https://cetom.univie.ac.at/?m-ioltoch486&outputformat=print
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Medieninhaber: Universität Wien, Institut für Sprachwissenschaft | Inhalt: Melanie Malzahn | Programmierung: Martin Braun | Datenkonvertierung: Bernhard Koller | Design: Patricia Katharina Hoda
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