CEToM | A 408.c
| Known as: | A 408.c; THT 1042c; Bleistiftnummer 3112 |
|---|---|
| Cite this page as: | Michaël Peyrot. "A 408.c". In A Comprehensive Edition of Tocharian Manuscripts (CEToM). Created and maintained by Melanie Malzahn, Martin Braun, Hannes A. Fellner, and Bernhard Koller. https://cetom.univie.ac.at/?m-a408c&outputformat=print (accessed 16 Jul. 2025). |
Edition | |
| Editor: | Michaël Peyrot |
Provenience | |
| Main find spot: | Sengim |
| Expedition code: | T II S 19.20, T II S 19.19f |
| Collection: | Berlin Turfan Collection |
Language and Script | |
| Language: | TA |
| Script: | classical |
Text contents | |
| Text genre: | Literary |
Object | |
| Manuscript: | A 406-408 |
| Material: | ink on paper |
| Form: | Poṭhī |
| Size (h × w): | 3.8 × 4.0 cm |
| a1 | /// la wla lu ne o pyā /// |
|---|---|
| a2 | /// llā lye • ta[¯] [¯s̝]• /// |
| a3 | /// – tri ñi ·i /// |
| b1 | /// ṅko y· – /// |
| b2 | /// [l]·· ya¯ ¯l ku [p]r[e] /// |
| b3 | /// lki mā¯ ¯r ta mṣu [rm]· /// |
| a1 | /// l{†ä} wlalune opyā(c) /// |
|---|---|
| a2 | n1 /// llālye • täṣ /// |
| a3 | /// – tri ñi ·i /// |
| b1 | /// ṅko y· – /// |
| b2 | /// l·· yal kupre(ne) /// |
| b3 | /// (pä)lkimār täm ṣurm(aṣ) /// |
| a1 | ... recalling (?) death ... |
|---|---|
| a2 | ... this ... |
| a3 | ... three ... |
| b1 | ... |
| b2 | ... to be done. If ... |
| b3 | ... may I see ...! For this reason ... |
| In one frame with A 408-A 408.b and A 408.d-A 408.i. |
| n1 | /// llālye: the only two possibilities are (kä)llālye and (pä)llālye. |
|---|
“The International Dunhuang Project: The Silk Road Online.” n.d. http://idp.bl.uk.
https://cetom.univie.ac.at/?m-a408c&outputformat=print
Output automatically generated on Wed, 2025-07-16, 01:31:23 (CEST).
Page last edited on Mon, 2024-10-07, 16:36:03 (CEST), by Automatic conversion. Version 41.
Page created on Wed, 2012-08-22, 11:09:21 (CEST), by Michaël Peyrot.
Medieninhaber: Universität Wien, Institut für Sprachwissenschaft | Inhalt: Melanie Malzahn | Programmierung: Martin Braun | Datenkonvertierung: Bernhard Koller | Design: Patricia Katharina Hoda
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